Wall Piece I by Maria Sigma
£2,600.00
‘Searching for Apricity’ features ceramics by Nancy Fuller and textiles by Maria Sigma. Their work embodies a connection to the earth through materials and making process.
The word "Apricity" has fallen out of use, but its meaning is timeless: it expresses the feeling of basking in the gentle winter sun, encouraging a connection to transient seasons. Both makers are inspired by moments of contemplation and slow-making, fostering a sense of presence through tactile experience – both for themselves as makers and for viewers.
By Maria Sigma
Materials: Natural undyed British wool, natural undyed paper, natural undyed Eri orange Piece silk
Techniques: Hand-woven
Measurements: W;95cm, L;134cm (+ tassels L;62cm on the bottom + L;87cm braid on the top, in total 283cm)
Care: A gentle wash with warm water
‘Searching for Apricity’ features ceramics by Nancy Fuller and textiles by Maria Sigma. Their work embodies a connection to the earth through materials and making process.
The word "Apricity" has fallen out of use, but its meaning is timeless: it expresses the feeling of basking in the gentle winter sun, encouraging a connection to transient seasons. Both makers are inspired by moments of contemplation and slow-making, fostering a sense of presence through tactile experience – both for themselves as makers and for viewers.
By Maria Sigma
Materials: Natural undyed British wool, natural undyed paper, natural undyed Eri orange Piece silk
Techniques: Hand-woven
Measurements: W;95cm, L;134cm (+ tassels L;62cm on the bottom + L;87cm braid on the top, in total 283cm)
Care: A gentle wash with warm water
‘Searching for Apricity’ features ceramics by Nancy Fuller and textiles by Maria Sigma. Their work embodies a connection to the earth through materials and making process.
The word "Apricity" has fallen out of use, but its meaning is timeless: it expresses the feeling of basking in the gentle winter sun, encouraging a connection to transient seasons. Both makers are inspired by moments of contemplation and slow-making, fostering a sense of presence through tactile experience – both for themselves as makers and for viewers.
