'Imprint #1' by Eleanor Lakelin
£9,750.00
“Sandblasting sequoia shows how soft summer growth erodes at a different rate to its harder winter counterpart. The ridged and recessed results mirror the wood’s growth between seasons: summer-fast, winter-slow. They are etched by time-grown and time-worn materiality. Cycles of organic growth and formal exploration recall one of civilization’s oldest object forms. Each vessel finds itself articulated in novel form, shaped unlike its predecessors, yet still spurred on by memory’s haptic suggestion.”
– Eleanor Lakelin on this piece created for the Making Memories exhibition
By Eleanor Lakelin
Materials: Iron-Stained Sequoia
Dimensions: H;120cm, Ø;29cm
Techniques: Turned
Care: The piece should be kept dry
PLEASE NOTE: This piece is part of our current exhibition, ‘Making Memories’. We therefore kindly request to keep it at the gallery until at least 15th December. If you would like to purchase but need earlier delivery, please contact us at info@flowgallery.co.uk
“Sandblasting sequoia shows how soft summer growth erodes at a different rate to its harder winter counterpart. The ridged and recessed results mirror the wood’s growth between seasons: summer-fast, winter-slow. They are etched by time-grown and time-worn materiality. Cycles of organic growth and formal exploration recall one of civilization’s oldest object forms. Each vessel finds itself articulated in novel form, shaped unlike its predecessors, yet still spurred on by memory’s haptic suggestion.”
– Eleanor Lakelin on this piece created for the Making Memories exhibition
By Eleanor Lakelin
Materials: Iron-Stained Sequoia
Dimensions: H;120cm, Ø;29cm
Techniques: Turned
Care: The piece should be kept dry
PLEASE NOTE: This piece is part of our current exhibition, ‘Making Memories’. We therefore kindly request to keep it at the gallery until at least 15th December. If you would like to purchase but need earlier delivery, please contact us at info@flowgallery.co.uk
“Sandblasting sequoia shows how soft summer growth erodes at a different rate to its harder winter counterpart. The ridged and recessed results mirror the wood’s growth between seasons: summer-fast, winter-slow. They are etched by time-grown and time-worn materiality. Cycles of organic growth and formal exploration recall one of civilization’s oldest object forms. Each vessel finds itself articulated in novel form, shaped unlike its predecessors, yet still spurred on by memory’s haptic suggestion.”
– Eleanor Lakelin on this piece created for the Making Memories exhibition
